View of the exhibition
View of the exhibition
View of the exhibition
View of the exhibition
Déclaration du 7 janvier 1925, Paris: Bureau de Recherches Surreálistes, 1925
Marcel Jean
Histoire de la peinture surréaliste, Paris: Seuil, 1959
Cycle systématique de conférences sur les plus récentes positions du surréalisme, s.l.: s.n., 1935
Bulletin International du Surréalisme, n. 2, Santa Cruz de Tenerife: s.n., 1935
Fantastic Art, Dada, Surrealism, Nueva York: Museum of Modern Art, 1936
Boite Alerte: Missives Lasce, Paris: Galerie Daniel Cordier, 1959
Exposition Internationale du Surréalisme, Paris: Galerie Daniel Cordier, 1959
04 October, 2013 - 12 January, 2014
Fundación Juan March, Madrid
Curated: Yasmin Doosry
Following in the wake of the legendary exhibition "Fantastic Art, Dada, Surrealism", organised in 1936 by the founding director of the Museum of Modern Art in New York, Alfred H. Barr, the show restored the long tradition of subjective art from the late medieval period, through Mannerism and the Baroque, to modernity. By way of a selection of nearly 200 drawings, prints, photographs, books, and magazines it identified the sources from which the early twentieth-century surrealists drew their artistic sensibility and techniques, thus endowing the movement with its own artistic genealogy. When the exhibition was presented at the Fundación Juan March it featured an extensive section devoted to the documentation of surrealism, illustrated with material from the Lafuente Archive including books, programmes, invitations, posters and photographs, among other formats.