Mathias Goeritz
Intervened invitation card to the exhibition of Mathias Goeritz at Saloncillo de Alerta, 1948
Mathias Goeritz
El circo, s.l.: T, 1949 [cover and inside]
Mathias Goeritz
Sobre la libertad de creación, Guadalajara: Galería Camarauz, 1950
Bisonte. Antología de la Escuela de Altamira, no. 1, Santander: Artes gráficas Hnos. Bedia, n.d. [1949?]
Guitar recital by Regino Sáinz de la Maza, s.l. [Santillana del Mar?]: Escuela de Altamira, n.d. [1949?]
Llorens Artigas, Ricardo Gullón, María Luisa Gefaell de Vivanco and Tony Stubbing at the Primera Semana of Escuela de Altamira, 1949/1981
Group portrait during the Primera semana of Escuela de Altamira, 1949/1981
Delegates inside the Altamira Cave, Segunda semana, 1950/1981
Delegates inside the Altamira Cave, Segunda semana, 1950/1981
Ricardo Gullón, Eduardo Westerdahl, Willi Baumeister, Pablo Beltrán de Heredia, Luis Felipe Vivanco, Regino Sáinz de la Maza y Tony Stubbing during the Segunda Semana, 1950/1981
Primera Semana de Arte en Santillana del Mar, Santillana del Mar: Escuela de Altamira, 1949
Ángel Ferrant
No hay tal prehistoria, Santander: Escuela de Altamira, 1949
Luis Felipe Vivanco
Alberto Sartoris, Santander: Artes gráficas Hnos. Bedia, 1951
Ricardo Gullón
Ángel Ferrant, Santander: Hermanos Bedia (impr.), 1951
Segunda semana de arte en Santillana del Mar. Del 20 al 26 de septiembre de 1950, Santander: Artes gráficas Hnos. Bedia, 1951
19 May, 2022 - 04 September, 2022
Museo de Bellas Artes de Castellón
Curated: Nuria Enguita, Teresa Millet y Nacho París
11 October, 2022 - 29 January, 2023
MACA, Museo de Arte Contemporáneo de Alicante
Curated: Nuria Enguita, Teresa Millet y Nacho París
The end of the Spanish Civil War and of the Second World War suggest opposing worlds, radically different settings, but both have been built on wasteland; on pain, on ruins and on material and ethical debris which causes the absolute destruction of the war. And all of this takes place in complex living conditions: in exile, in migration, in repression. Mainly comprising works belonging to the IVAM collection, this exhibition contains a reading where, more than the differences in style, it considers the continuities, similarities, mutual echoes, shared efforts, where the weave of historical events is such that it is absolutely decisive in poetic, discursive, formal or stylistic decisions; in the way humanity looks at and thinks about itself.