Théophile Gautier
Voyage en Espagne: Tras los montes, Paris: Laplace, Sanchez et Cie., n.d.
Juan Álvarez de Colmenar
Les delices de l’Espagne & du Portugal, s.l.: Pierre Vander Aa, 1707. Volume I and II [inside pages]
Juan Álvarez de Colmenar
Les delices de l’Espagne & du Portugal, s.l.: Pierre Vander Aa, 1707. Volume III and IV [inside pages]
William Bradford
Esquisse du pays, du caractere et du costume, en Portugal et en Espagne... / Sketches of the Country, Character, and Costume in Portugal and Spain…, London: John Booth, 1812 [cover and inside pages]
Jean Charles Davillier; Gustave Doré
L’Espagne, Paris: Librairie Hachette et Cie., 1874 [cover and inside]
04 October, 2019 - 27 October, 2019
Palacete del Embarcadero, Santander
Curated: Luis Sazatornil
Today, in the midst of the twenty-first century, digital technology allows viewers to ‘travel’ virtually through far-off cities and to be enthralled by detailed urban renderings of the digital age. Nevertheless, the allure of representing cities has a long tradition. Indeed, Renaissance experiments with visual perspective marked the birth of city portraits as a clearly-defined artistic genre, spurred on since the mid-sixteenth century by the evolution of the printing press, geographical curiosity and the commercial dissemination of city books. Against this backdrop, in which urban images of Europe in the Middle Ages thrived, ‘exotic’ Spanish cities were relentlessly re-examined, creating a repertoire of urban panoramas based on the gaze of the outsider: the traveller, the editor or the foreign artist. (...)